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Inscrit le 04/01/2006
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Classe.Vraiment et c'est assez rare pour le signaler.
Je devrais avoir un lien pour le PV assez rapidement.
Et en ce qui concerne la chanson, on entend des cris qui débutent à la fin du sample, je sens que ça peut très bien le faire en live.Je sais pas, mais ça me rappelle Obscure, pas musicalement, mais il y a un truc je sais pas...
Bref je m'attends à un truc de fou, et ça ne m'avait pas fait ça depuis Ryoujoku perso.
(Edité 3 fois. Dernière édition par Asmo le 18/11/2009 à 18:11)
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Inscrit le 06/05/2007
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Oui Obscure mais aussi la période Kisô. Les poses, la mise en avant de Kyô, sa coupe, le gant que je crois il utilisait déjà en 2003 et sur Obscure of course. Il l'avait remis en 2006 ou 2007 leur d'un show, si je me rappelle bien.
Par contre les couleurs sont différentes. Là c'est prédominance black.
Pour le sample,je ne peux juger avec si peu. :/
Tout ce je souhaite c'est de l'entendre bientôt en live, histoire de comparer avec le cd.
Puisqu'il le faut entraînons-nous à mourir à l'ombre des fleurs.
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Inscrit le 04/09/2008
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@Asmo: Le PV en entier? O_O
God mais d'où tu sors mec? xD
Nous ne l'entendons pas de cette oreille (et l'oreille est cette caverne d'anus, et cette strophe où tout bourgeois bien repu et bardé d'anti-strophe escamote la Poésie). Cesse. Rentre dans la norme.
Antonin Artaud - Suppôts et Suppliciations
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Pas encore, mais d'ici la semaine prochaine, ça devrait se trouver facile.
En général c'est sur certains sites japs, mais c'est tout en jap, faut s'inscrire etc.
Suffit de chercher, et tu trouves tout.
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Inscrit le 28/06/2009
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J'aime bien, ça me sonne comme les tonalités et mélodies de THE PLEDGE à savoir un lyrisme sur un son lourd et sombre.
J'aime beaucoup et ça sent encore bien l'UROBOROS je trouve. J'ai la sensation que Shinya va encore tout faire péter sur ce morceau.
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Un petit mélange de Dozing Green et de The Pledge ouais je suis assez d'accord. Moi j'aime beaucoup cet extrait en tout cas.
Nous ne l'entendons pas de cette oreille (et l'oreille est cette caverne d'anus, et cette strophe où tout bourgeois bien repu et bardé d'anti-strophe escamote la Poésie). Cesse. Rentre dans la norme.
Antonin Artaud - Suppôts et Suppliciations
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Déjà je trouve le son de guitare assez vrombissant, ça donne vraiment un effet THE PLEDGE pour moi. Ouais c'est ça, l'instru de THE PLEDGE avec le lyrisme de DOZING GREEN.
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Inscrit le 04/09/2008
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Bah tous les chanter visible quoi xD madin' Dear an Grey
Me tarde la chanson en entier quand même maintenant
(Edité 1 fois. Dernière édition par El gringo caloroso le 18/11/2009 à 20:44)
Nous ne l'entendons pas de cette oreille (et l'oreille est cette caverne d'anus, et cette strophe où tout bourgeois bien repu et bardé d'anti-strophe escamote la Poésie). Cesse. Rentre dans la norme.
Antonin Artaud - Suppôts et Suppliciations
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Ou alors a t-il simplement oublié le deuxième au vestiaire?
Nous ne l'entendons pas de cette oreille (et l'oreille est cette caverne d'anus, et cette strophe où tout bourgeois bien repu et bardé d'anti-strophe escamote la Poésie). Cesse. Rentre dans la norme.
Antonin Artaud - Suppôts et Suppliciations
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Ou alors il l'a accroché à la cheminée en guise de chaussette, pour recevoir des cadeaux..
Nous ne l'entendons pas de cette oreille (et l'oreille est cette caverne d'anus, et cette strophe où tout bourgeois bien repu et bardé d'anti-strophe escamote la Poésie). Cesse. Rentre dans la norme.
Antonin Artaud - Suppôts et Suppliciations
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Allez, Asmo time, pas encore le clip mais ne vous en faites pas.
Bon, petite description du prochain single ( je sais pas si ça a été posté) :
An extremely aggressive tune that is both catchy and has an intense hook
"The title song with its hook that grabs and catches your ears and its dizzying development along with a aggressive tune that is DIR EN GREY. Quite simply it can be said that both extremes of the band were summarized. You can also feel the possibility of this to become their new signature song. Furthermore this song and the new recorded version of "Zan" was mixed by Jens Bogren who is known for working with well known North European heavy rock band, Opeth. The sound is literally of world-class standing. Then "Shokubeni (Shot In One Take)", a familiar song recorded in "VULGAR" (2003), is in other words, "recorded in one go". Either of the songs are a must listen!"
Et puis comme je crois que Hideki a du mal avec l'anglais ( incompréhensible de ne pas savoir parler anglais de nos jours), voici l'interview de Toshiya et Shinya, qui paraitra dans le magazine jap "What's in ?" de ce mois, intéressant :
Spoil:
--The new single after 15 months, "Hageshisa to, kono mune no naka de karamitsuita shakunetsu no yami". It's a long title!
Toshiya (T below): Definitely (laughs). It seems that there were a lot of people who anticipated for this [single] to be a ballad-like song from this title. But in fact, it is a song with a heavy/intense and rapid/dizzying development. Of course there wasn't anything like we wanted to outsmart people or an aim for that (laughs).
Shinya (S below): It feels like something that would come next after "UROBOROS" instead something after 15 months after "GLASS SKIN". And as the very first work of that, we quite naturally wanted something heavy.
T: Originally it was only a fragment of an idea. The chorus' melody wasn't also there from the very start. But on the contrary we felt a possibility with the incmplete parts, or rather, instead of being something where you can easily see the answer, it is something that you'd be drawn to. Of course that alone took time in pre-production. But if we had the time then we would have wanted to use all of it but since it was difficult for all members to be satisfied. With the dimension of 1 song, to say it exaggerately, I thought that it was limitless. There were parts where we can't be satisfied until we've tried all of it.
S: It's because it was a rewarding experimental song this time. Also with the drums I also tried testing various things.
--This is an unconventional song with a very big amount of information. But even so just listening to it once it also has a catchiness which made me remember the melody along with the long title.
T: In the end it feels that our extremes came out. But as usual this time too, we also didn't know how to describe it. Regarding the chorus' melody there was also somebody who mentioned that, "maybe it's Emo" or something (laugh).
--This time the coupling song also is popular topic in advanced. Particularly it is a new recorded version of your debut single, "Zan".
S: When we played during the secret live at the Meguro Rokumeikan, there was talk about doing it after a long time. But I didn't want to do it, because it's a very very tiring song (laughs). However the impression at that time among everybody else except me seemed good (laughs). After that, the same thing happened when we also played it during the male only live....... Because of that, when talk of, "what should we do for the coupling this time?", it was decided that this was good.
T: There were conditions from Shinya's side when we were to record this song this time.
S: It was to renew it in a form that I can also play from now on. I made that condition because there was a torturous part (laughs), that I sort of arranged and fixed. But, I am also content with the current form and it feels nicer to play it compared to before.
T: I think that this was great timing in order to be able to do this kind of attempt/method. It's like the new and the old were well interwoven right after we wrapped up the flow from "UROBOROS", or rather, when we are on our way towards the next development/evolution, it feels like that the new olds and also the old things have also come together. In fact, there is also a strong feeling that something again will start from here.
--Even at lives old songs made a sudden appearance. It feels that there is nothing that needs to be sealed up with the present DIR EN GREY.
T: Yes. We can do that without any hesitations now. That's what I feel.
--For the record by the time readers will get this magazine, everybody is touring in America. So after coming back to Japan, your minds will be shifting towards the Budokan performance in January.
T: We want to settle/end it there. That kind of feeling. It is something that will conclude/finish the flow of "UROBOROS", in a certain sense, I hope that it can become a summarization.
S: The experiences during the US tour after that previous Budoukan (Summer 2006) was so vivid that my memory was erased (laughs).
T: This time, I want to feel a bit of the afterglow, or rather more than that, I want to soak in great feelings while we're performing it (laughs).
